I could put up a lot of photos of Kampala and sometimes I do but I also enjoy the challenge of trying to capture what I see with words. On any drive there is a tableau of pictures spread for the taking if one simply keeps eyes wide open. A drive in Kampala is therefore never dull and even on the most frustrating days there is, for an observer such as myself, poetry on the streets.
Having just dropped Trooper off at a pool party we drove through a neighbourhood inhabited by foreign diplomats and wealthy Ugandans. It is wealthy and yet no houses are visible, since they are hidden behind large metal gates. Before entry is permitted an armed guard, usually a privately employed police officer comes out barring a large AK47 to give us the once over. Driving away we notice other guards carrying guns, either outside of the large residences or walking to and fro to work. The huge police presence here is something we quickly take for granted but every now and again we remark on how many guns we see on a daily basis. Kampala is very safe, generally, but there lies beneath the surface a frisson of instability and it is the heavy police presence that keeps things from snapping and turning mad with violent chaos. This is a country that knows well the price of such violence and they have taken measures to keep themselves safe.
And we drive on, past bare chested men digging deep trenches into the red soil. Fibre optic cables are being laid, a sign of modernism creeping in, slowly but surely. Yet mere metres away people live without running water in a capital city. Access to clean water and health care are basic necessities that the majority hardly dream of. Cables are laid by hand, the soil dug with sweat and strength; bricks laid one by ones, roads fixed inch by inch by hand, this is a place where everything that can be done by hand is done so. Slowly, painstakingly, with bare arms and sweat.
We pass a woman, an enormous basket of bananas resting on her head. She walks with posture that would make a cat walk model jealous yet she is unaware of posture. She has been carrying on her head since she was knee high, this is not a new skill.
A baby lies naked in the mud while his mother fills a Jerry Can from a slow tap, grey sacks filled to splitting with blackest dusty charcoal lie next to him. Two children race another who rolls an abandoned bicycle tire with a stick, women gossip next to wooden planks that shelf pineapples and lettuce. A mother bathes her child with water in a bucket, another slaps clothes against a wooden frame and hangs them to dry and capture more dust.
Then we turn and home is in sight. More guards, more guns and another woman carrying bananas with poise and a determination to sell. We pass a Boda Boda carrying a family of four, the smallest child sits in front of the driver holding onto the handle bars, the wind whipping his short cropped hair. A group of men sit on the grass before a gate chewing sugar cane and talking in earnest.
In a simple 10 minute drive a world is open, but it is not my world. I am the observer, always watching, reading, imagining, wondering. Eyes wide open I see but can never really know. I am forever the Other.